Back to wood engraving
Portraiture is my thing. Most of my prints have people in them, usually in a portraity way, so I thought I’d continue along those lines for my initial wood engravings. The ones I’ve made so far seem rather too ‘white line-ish’; not something I’m hugely keen on. Hence my next experiment which was an attempt to achieve a more ‘black line’ appearance.
Having drawn the image on the block, I cut both sides of the lines to leave a black line in the middle. At this stage, I proofed it to see what the lines would look like (see right); an interesting image itself.
After that, I continued to cut away until something that looked reasonable emerged (see below left). I think one is supposed to plan the images more carefully – I tend to just get the outline down, then cut in an instinctive way, making it up as I go along. I don’t think that’s how it’s meant to be done...
Interesting. How would you say portraiture differs from pictures of people? Is the Red Scar series portraiture (or elements of such) even though the characters are imaginary?
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