Goodness, here we are half way through January already and I'm only just writing my first blog post of the year. There's been very little art in my life over the last couple of months. Work has been all consuming and what time there's been away from it has been taken up with caring responsibilities and Christmas prep. New year, new outlook however. New start in fact. Last week, I hung up my abacus and left the data factory for good. Mixed feelings about it but that's another blog post.
So, back to the art, now that I
(temporarily) have more time. On Wednesday I was in Winchester for a meeting at
the Art Cafe about an exhibition we're having there later this year. The cafe is just opposite the Winchester Gallery so I took the
opportunity to pop in and check out the current exhibition - Henry Moore Prints. I'm not a fan of his sculptures particularly but there are some lovely
prints in the show, which consists of mostly lithographs. Many are
monochrome but some use two or more colours in a really subtle way. I
particularly liked Minerva, Prometheus and Pandora, a lithograph from
1950; I'm thinking about Greek myth a lot at the moment.
Moore really uses the different effects achievable with lithograph;
Lullaby (above) is a good example. I don't know how it's done, some kind of oil
and water resist maybe, but the background of the image has a wonderful
stony texture. The sleeping figure emerges out of the stone, almost like
one of his sculptures. All the forms in his prints have that weight and solidity so characteristic of his sculptures.
The show is on until 31 March.
How is a reduction woodcut print made?
1 day ago