I spent a very pleasant day last Friday teaching a card cut workshop at Red Hot Press. My three students, all of whom are practising artists and printmakers, were delightful company and created some interesting images.
We spent the morning looking at the different effects that can be produced with card cuts; line, tone and texture, and the variables such as types of card and varnish. My students then made some plates and varnished them. We had a relaxing lunch whilst waiting for the varnish to dry, then spent the afternoon printing and experimenting with intaglio and relief techniques.
Something that struck me was how difficult it can be for experienced artists to learn new techniques sometimes. I think to avoid discouragement, it’s important to stop oneself from becoming too bound up in the image. One should try to concentrate on the technique itself; mark-making and experimenting with all the variables a particular medium offers. Maybe look at the final image in detail, picking out what works and what doesn’t, rather than viewing the image a whole.
Image by Ruth Barrett-Danes
Portsmouth Evening News, 8th June 1929
2 days ago