Work continues to go on in and to the studio; the workspace is evolving as I settle into it and find the best ways of using it. Having spent several hours on Saturday dismantling an eight-foot long, floor to ceiling built-in wardrobe and shelving unit, I’ve happily found a use for some of the bits that I haven’t taken to the dump. One of the wardrobe doors has provided me with a larger work surface and the small cupboard doors will make excellent print flatteners. It’s functional rather than aesthetically pleasing, but that was always the Bennett Price way, so I’m content to continue the tradition. Just three doors, two end pieces and half a tonne of three by three to get rid of now…
Monday, 25 May 2009
Wednesday, 20 May 2009
‘We are data-rich, my dears, data-rich,’ she would tell her sisters.
Adrasteia was shorter, smaller; petite. Raven-haired and sleek, she had a disconcerting habit of studying her clients intensely, then tilting her head to one side as though she had made some silent, immutable judgement. She would raise her rusty tailoring scissors and snip snip the air in front of their faces, her black eyes glittering.
‘But husband-poor, my dear, husband-poor.’
Tuesday, 19 May 2009
No takers for my cardcut course this weekend sadly so no teaching for me. This means I can spend the weekend packing up books so that the builders can get to where they need to get. Lucky me.
The cockle wood engraving is finished. What can I say? I don’t like it. It’s flat and uninteresting. Good practice though. Hope the etched version turns out better on Friday.
An image of the Undertaker’s sisters-in-law is forming…
Tuesday, 12 May 2009
Started putting some words down for my next series of prints. Having spent so long illustrating other people’s words, it was really satisfying to illustrate my own in creating the Red Scar series. That happened by accident really; the story (never finished) was written to amuse a friend and I hadn’t intended to use it as a starting point for a series of etchings… but that’s how it turned out. The image of the three characters in the coach was so vivid in my mind, I had to make a drawing of it.
I don’t like my drawings. As a rule, they’re fairly dead on the page until I turn them into a print. I suppose it’s the combination of textures and quality of line and tone which is impossible to create in any other medium other than printmaking.
This time, I’m going one step further; writing the story – The Undertaker’s Nuptials - specifically to generate images. We’ll see how it goes.
Saturday, 9 May 2009
I feel strongly about local history and preserving our heritage, possibly because the city I live in was mutilated first by bombing in the second world war and then by poor town planning. What was once a thriving, modern port, rich in historic buildings, is now a featureless 21st century city, much like any other, with docks that are really beginning to feel the squeeze of the economic downturn.
I’ve never been able to experience the old Southampton, except for the odd building or ruin which is all that’s left of the medieval city. I can appreciate the old photographs and films however, so I emailed Screen Archive South East which already has a few of the films made by the BRFS (see clips of them here: BRFS at Screen Archive South East). I was then contacted by Alan at the West Sussex Record Office who was quite excited by my news as he’s a bit of a fan of Uncle Harry’s apparently. He and a couple of colleagues have written a book about cinema in the region and had included a fairly comprehensive chapter on the BRFS (he brought me a copy – very interesting).
During his researches eighteen odd years ago, Alan had managed to track down what he thought was all that was left of the BRFS’s films to an ex-member of the society in Southport. Hearing that there were more (about eighty reels when I counted), he was quite keen to have them for the archives. I was also able to give him a couple of BRFS event programmes, one of Uncle Harry’s film projectors and one of his old cameras; the sort that has a sort of folding-out, concertina-type thing and takes photographs on glass plates. Please excuse my very untechnical description...
Alan and the team at Brighton University will digitise the films so that they are available for people to view as important records of social history. They may also make a short film about how the two collections came to light. Bonus.
Tuesday, 5 May 2009
Phase One continues.
More found objects: an old 1950s movie projector and film splicing thing. A feather eiderdown. And a wok. A snooker cue, a sail maker's palm, two cans of spray adhesive, fishing weights. A china doll, a
In the loft: An old box brownie, an early 35mm camera, two bowler hats. Another movie projector, a slide projector, model planes, a five foot tall wooden standard lamp carved in the shape of a lion. A wedding dress, corsets, pictures, a silver tankard, a tea service, old books...
Saturday, 2 May 2009
Had a good few hours in the studio today – back on the cockle wood engraving. I arrived at the stage of being able to take the first proof which is always exciting. Still a lot of work to do on it but it’s good to be able to see where it’s going. However, I find that I tend to change style part the way through the engraving which isn’t very helpful; and it’s really noticeable on this one. Hmm, not quite sure how to fix it at this point…
I tried printing the block on my bookbinding press for the first time. Really didn’t think it would work but it’s great. A bit fiddly to get the block, paper and vinyl (used like an etching press blanket) under the platen as it only just fits but it actually produces a better print than I was pulling by burnishing. Bonus.
I’m including a picture of my bookbinding press in this post because it’s an unusual design. Bought it from good old ebay but the chap who sold it to me didn’t know anything about bookbinding or printing or this press. All the ones I’ve seen have either a T-shaped arrangement for screwing down the platen; this one has the screw underneath the arm bits (technical term there) and a lever for increasing the pressure once the platen’s been screwed down. I’d be interested to know if anyone else has seen one similar.