What's that all about? I'm an intaglio printmaker by default; etching, drypoint and cardcuts. Personal circumstances, those annoying things that get in the way of one doing what one really wants to do, have all but wrenched the etching needle out of my inky hand and taken away the copper sulphate bath.
After a period of vowing never to print again, here I am, spitsticker in hand, discovering the wonders of end grain boxwood, lemon, pear and maple. Mostly maple because I'm not rich or very good. However, I am hopelessly hooked.
Four of Water
2 days ago